Meaning of Life and Action Movie Essay

Im not a salient fan of action at law movies. What bformer(a)s me is not that the protagonist is most often track throughout the movie, jumping out of (through, onto) moving vehicles, dangling from or lift the walls, delivering shots or skillfully escaping various projectile weapons. Its that once the transport is make, nothing much remains. It gets tired and tiring very quickly, and in the land up makes me feel that I would arrive as good of a judgment of conviction trying to cross a very busy Toronto intersection.It never occurred to me that the creator why the effect of action movies may not be measure or profound is that very frequently they are not done very well. I just couldnt imagine what a well-done action movie would be like. Last night I watched Mel Gibsons Apocalypto, and for the first time felt moved, moved rather deeply, by an action movie. It may seem an unlikely combination, Mel Gibson directing and co-writing a film on a decline of Mayan civilization. But he got something right not ineluctably the details (though the details seem OK according to some experts on Mayan culture) but the feeling of it.On surface, this is no different than any other action movie the protagonist is still being chased by the bad guys, running, climbing, dangling, fighting, leaping. The difference is that the meaning of the action is placed in the consideration that challenges our own understanding of what it means to survive. Apocalypto is a meditation on terror. It confronts us with the stark reality of having to negotiate our continued presence or say-so destruction in a world where the most grotesque scratchiness will come not from the world of wild beasts but from the acquainted(predicate) hands of other humans, even those sharing ones row and culture.In most action movies we feel indiscriminately tense that no harm should come to the one who is chased (we must still have hearts of prey to be so easily identified with the pursue and not the p ursuer). In Apocalypto, the protagonist is teaching us how to negotiate fear so that death, if it were to come, is done as well as living. And finally, that running past and running toward may look alike, but are not. Not at all bad for an action flick.