Demoiselles d'Avignon- Analysing The Four Frames

Artist: Pablo PicassoTitle: Le Demoiselles D?AvignonMedia: Oil on pollardDate: June-July 1907Form: PaintingSize: 243.9 x 233.7 cmKey lecture: distorted, angular, semi-abstract, aboriginalStructural FrameIn the artwork Les Demoiselles D?Avignon is oil on rout outvas word- movie which has 5 effeminate skeletal frames on it. The size of the word-painting is 243.9 x 233.7 cm. Picasso uses very soft, cool colours like creams and bucketful yellows for the bodies further uses a light simply bold dark-skinned for fail of the understate signal, black outlines, and also white and hoary shades. When you look at the painting closely you can suppose that the background goes from brownness to grey then to blue. He uses diametrical t mavins for both the background and the skin. The visual language of the lines in the artwork is mostly groovy or laconic lines but there ar sill turn lines to show different soundbox parts. The 5 female figures are broken up into sharp angular fi gures and are paint with some curves and triangular breasts. The female figure are unrealistic and have been distorted to make semi-abstract. When you look at the painting from left to right you can see the faces be glide slope much and more distorted. The fruit and tabulate have also been through in a similar way.

The women are painted with a slightly different swarthy skin tone or colour on their faces which susceptibility represent different nationality. The background has been broken up and fragmented. With the blend there is no oneness direction that the light is coming from. Picassos painting seems to be one 1 plane because the figure seem o be ! on the same direct as the background, not in front of it. The artwork is in the style of cubism and the paintings have been simplified. It is considered primitive because of there horrific expressions, the fancy dress like... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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